
In praise of the DVD
The infinite choice of TV streaming has led to banality and fatigue – it’s time to embrace physical media…
By Fergal Kinney
The contradictions of Arctic Monkeys
In the run-up to their headline Glastonbury set, the band defied the creative arc of their late career by…
By Fergal Kinney
How Succession created TV’s first irredeemable leading man
In Logan Roy, Jesse Armstrong and Brian Cox took the archetypal anti-hero and replaced it with a moral black…
By Fergal Kinney
The conservatism of Nick Cave
Many were surprised when the musician announced he would be attending King Charles III’s coronation. They shouldn’t have been.
By Fergal Kinney
Sam Smith and the return of the Satanic Panic
The conservative hysteria around pop music, sexuality and Satanism has a long history.
By Fergal Kinney
How Busted defined the moody teen pop of the Noughties
The manufactured-yet-rebellious boyband exemplify the accelerated highs and personal lows of British music between the Millennium Bug and the…
By Fergal Kinney
How Happy Valley reveals the reality of austerity
Since 2014, Sally Wainwright’s complex police drama has laid bare the hope and terror of living in the north…
By Fergal Kinney
Why Girls Aloud were the most inventive act in Noughties pop
Twenty years since the release of their debut single, it’s clear that this talent show girl group rewrote the…
By Fergal Kinney