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Also this week: the art of rejecting authors and how all the best stories are true.
ByThe Bulgarian novelist on the legacy of communism, the necessity of irony and why remembering is a political act.
ByWe might be tempted to see prizes for women as less necessary with each passing year – but non-fiction is…
ByAn unexpected link to a schoolgirl killed in Afghanistan is a reminder that we are all citizens of the world.
ByThe Sri Lankan novelist on growing up amid civil war, turning trauma into satire, and winning the 2022 prize.
ByChildren’s writers used to be treated with slovenly contempt. The Whitbread and Costa showed we were worth taking seriously.
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